Macon Magazine

April/May 2022

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APRIL/MAY 2022 | maconmagazine.com 31 is currently found at several locations within the park. "Historically, vast brakes of giant cane could be found along Southeastern rivers, but these have declined substantially in recent years," Revis said. "For many years, the Ocmulgee floodplain in the area of the park expansion and Bond Swamp was known for having the last, best remnants of giant cane brakes anywhere." Through conversations with the Muscogee (Creek) Nation and local entities, everyone is working together to ensure that cultural preservation is taking place by appropriate means. "When we involve all parties in the conversation, we can find workable solutions," Revis said. "This is what true collaboration looks like. To quote a classic movie, I believe 'this is the beginning of a beautiful friendship.' ... The park already works with the Nation. These opportunities allow our stories to be told from a first-hand perspective." By working together, Revis said, "we are able to tell the stories of those that were here before Macon became Macon. "I appreciate all that Macon is; but before it was a town, it was a town of my ancestors. We had a government and structure and life. By coming together as we are, we will be able to give a name back to what so many around Macon say is the 'Indian Mounds.' We will be able to name these people and not lump them into a generic all-encompassing group of people. Our Muscogee and Yuchi people deserve to be called by their names. I believe that we will be able to start telling stories in different ways around town and at the park. "We can't change the past, but we can learn from it and uncover the stories of the voices that have been silenced. I am excited to be a part of the team in Macon and am thankful that the National Park Service has been taking care of the Mounds to make sure that it remains strong, and we can continue to grow, learn and heal from its presence." Find more information at ocmulgeepark.org. SUBSCRIBE ONLINE: maconmagazine.com PHOTO BY CHRISTOPHER SMITH

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