Macon Magazine

April/May 2019

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A P R I L / M AY 2 0 1 9 M A C O N M A G A Z I N E . C O M 6 3 anything, and he takes that creative freedom and writes shows for the orchestra itself." Because of the uniqueness of Macon Pops' composition style, several of their shows have been picked up by other orchestras, so they're putting Macon on the map – and freelance musicians nationwide are taking note, too. "We have a waiting list of about 40 musicians who want to play with the Pops," said Moretti. "A lot of times, Matt's still writing stuff the day of the show – that keeps the energy and excitement flowing, and musicians respond to that. It's creatively fulfilling, and there's palpable passion behind it." Local reaction to the Macon Pops has been overwhelmingly positive. In promotional materials, the word "orchestra" is purposefully left out, because it can carry a connotation that scares away some potential audience members, which is the opposite of what Moretti wants. "We filled a void here musically," he said. "We proved you can have something high-quality and sophisticated, but at the same time completely accessible. I'm so happy when I look out into the audience and see kids, teenagers, grandmas, grandpas – there's so much diversity, and we get to take them on a musical journey for two hours. It's a privilege." In true visionary fashion, Moretti understands how to give proper accolades to our musical icons while simultaneously moving forward in new and unexpected directions. Not to give away too many secrets, but a Southern rock-themed performance is on deck for the Pops next season, and Macon is pulling out all the stops to honor our hometown heroes. Macon Pops will be partnering with The Big House for a 50th anniversary celebration of Capricorn Records and the Allman Brothers. There'll be a visual component featuring both still photos and video footage from the archives, and plenty of room on the dance floor. Moretti and company are, as usual, interested in reaching out to folks who " I'm so happy when I look out into the audience and see kids, teenagers, grandmas, grandpas – there's so much diversity, and we get to take them on a musical journey for two hours. It's a privilege." -STEVE MORET TI

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